It Architecture St Guide 1844582

Which proclamation best portrays the connection between Oracle Reference Architecture (ROR) and the Oracle items? A. ROR depicts the design worked in to the Oracle items. B. ROR portrays the engineering hidden the Oracle Fusion Applications. C. ROR portrays an item skeptic design and afterward maps the Oracle items onto the engineering. D. ROR depicts an engineering that is only founded on Oracle items. Theme 3: Application InfrastructureExplain Introduction Oracle Reference Architecture application framework Describe Distributed Computing Concepts Describe Grid Computing Capabilities and Architectural Concepts Describe Cloud Computing Capabilities and Architectural Concepts Describe Fertilization and how it assumes a key job in the establishment framework Describe the job of Containers in the Application Infrastructure Management capacities and how reserving assumes a necessary job Create the Product Mapping View to outline items to the application framework layers Describe Data Pra ctitioner ROR Application Infrastructure FoundationSample Questions 1 . Select the most suitable motivation behind why three-level engineering is a superior design decision than straightforward Client-Server engineering for complex undertaking applications. A. Three-level engineering utilizes three strings to run the applications, so execution is better. B. Three-level engineering utilizes a layered way to deal with discrete the handling of business rationale, information, and presentation.This permits the levels to be autonomously scaled to boost the venture. C. Three-level engineering joins introduction, business rationale, and information preparing into a solitary layer to dispense with arrange latencies. D. Three-level design moves all preparing to the customer, subsequently decreasing the heap on the server. 2. Which of coming up next is certainly not a trait of Cloud processing? A. Multi-occupancy b. Flexible scaling c. Pay-for-use estimating d. Yearly provisioning Topic 4: Se curity Describe Security Describe Application Security Describe Data Security Describe User Security Explain Common Security Strategies Describe Security Concepts and Capabilities Describe Common Security Standards Describe a Conceptual Architecture View of the Security layer Describe the Logical Architecture View of the Security layer Create the Product Mapping View to reimburse he Oracle items that guide to Security layers ROR security 1.There are various approaches to group applications so as to evaluate business hazards and appoint proper security arrangements. Which of coming up next isn't depicted as an essential meaner to characterize an application? A. By the client network it serves, for example, HER, money, all representatives, overall population, etc b. By the data it handles, for example, ordered data, individual data, freely accessible data, etc c. Y business criticality, for example, income producing applications versus educational applications d. By innovation as well as merchant, for example, . NET versus Java, etc e. By the materialness of existing laws and guidelines relating to security, evaluating, and get to control 2. Review logging is a type of what kind of access control component? A. Criminologist control b. Preventive control c. Hindrance control d. Restorative control e. Repaying control f. Spreads control Topic 5: Engineering Review Oracle Reference Architecture Engineering, resource driven designing and related principles Describe Oracle Reference Architecture Engineering Concepts and Capabilities Describe the Conceptual Architecture View model for Oracle Reference Architecture Engineering ND the capacities required for a building framework Use Logical Oracle Reference Architecture Engineering Architecture View segments of the designing condition and show how they are associated with one another Describe the Deployment Oracle Reference Architecture Engineering View bundling and organization related parts of Oracle Reference Archite cture Engineering Create the Product Mapping View to show how Oracle items fit on to the sensible model to understand the building foundation Describe Oracle Reference Architecture Engineering essential prescribed procedures ROR Software Engineering ROR Engineered Systems 1 . You are building up a mix part that utilizes client information. The source framework characterizes client information in an unexpected organization in comparison to anticipated. Which of the accompanying choices best portrays how you would build up the segment? A. Make an item portrayal of client information and use it in the part. B. Externalities the information change by mapping the source information configuration to an authoritative information design. C. The information designs are unique, so it is absurd to expect to build up the segment. D. Compose the information from the source framework into a database and read it back in the normal format.Topic 6: Integration Explain Service-situated combination ND how this varies from increasingly customary mix approaches Describe rules that ought to be met by any design that indicates to help a Service-arranged way to deal with reconciliation Create Logical Architecture View segments of the Information Management condition Describe Development View of Service-arranged Integration Describe Process View of Service-situated Integration Create the Product Mapping View to represent how Oracle items can be utilized to understand the engineering Use Service-situated Integration's incorporation examples and message trade examples to recognize best methodologies or joining situations ROR Service-situated Integration 1 . Which explanation best depicts the connection between the Service-arranged Integration (SO') design and the Application Integration Architecture (AI) item from Oracle? A. Simulated intelligence is an item explicit usage of the OSI design. B. Artificial intelligence is a customary Enterprise Application Integration (EAI) design; along these lines AI doesn't follow the OSI engineering. C. Man-made intelligence is an Oracle item that maps to a portion of the layers and capacities characterized by the OSI engineering. D.AI is one of numerous Oracle items that maps onto the OSI design. . Which proclamation best depicts how Service-arranged Integration (SO') varies from customary Enterprise Application Integration (EAI)? A. OSI is Just similar to EAI with the exception of that a help transport is utilized rather than a center point or message transport. B. OSI is not quite the same as center based EAI, yet is equivalent to EAI utilizing a message transport. C. OSI utilizes a point-to-point incorporation approach dependent on the Web Services industry measures. D. OSI utilizes SO Services that are isolated and particular from the applications being coordinated. E. EAI incorporates applications while SO coordinates SO Services. Gatherings. 2012 Oracle Corporation †Proprietary a Confidential Topic 7: Management and Monitoring Explain Management and Visibility Gap Describe Common Management and Monitoring Standards Describe Key Management and Monitoring Capabilities Describe Conceptual View model for Management and Monitoring and the abilities required for a Management and Monitoring foundation Identify the Logic View segments of the Management and Monitoring condition Create the Product Mapping View to show how Oracle items can be utilized to understand the design Describe how the Deployment View characterizes how Oracle items may be sent to physical equipment ROR Management and Monitoring 1 . Which of coming up next are abilities given by the Monitoring Engine inside the Logical perspective on the Management and Monitoring design? A. Asset Monitor b. Framework Monitor c. Assortment Monitor d. Administration Monitor 2. When mapping Oracle Products onto the Logical view, what is the best methodology? A. Use the board packs, connectors, and modules to make a modified item mapping for the Logica l view. B.Use Oracle Enterprise Manager to give center capacities required by the three layers for Oracle stack, and use the executives packs, connectors, and modules for non-Oracle stack. C. Utilize an Oracle Enterprise Manager item to give all the abilities required by the three layers in the Management and Monitoring engineering. D. Utilize an outsider to give all abilities required by the three layers in the Management and Monitoring design. Gatherings. 0 2012 Oracle Corporation †Proprietary and Confidential Topic 8: Service Orientation Explain the essential ideas of the Oracle Reference Architecture Describe how Definition of a Service gives an unambiguous meaning of Service Oriented Architecture Service utilized as a structure hinder with a Service Oriented ArchitectureDescribe how Combining Technology Perspectives characterizes how unique Enterprise Technology Strategies can be joined by following the central ideas of Oracle Reference Architecture ROR Service Orientation 1 . The Oracle Reference Architecture (ROR) incorporates the idea of Technology Perspectives. Which proclamations are genuine concerning ROR and Technology Perspectives? A. Every Technology Perspective spotlights on a specific arrangement of items and innovation. B. A Technology Perspective incorporates both reference engineering sees just as commonsense direction and approaches for effectively actualizing he changes required to grasp the items and innovation. C. The Technology Perspectives can be utilized separately or in blends, for instance, SO with Bal. D. The Technology Perspectives can be utilized separately or in combinations.When utilized in mixes, the SO Technology Perspective must be incorporated . E. Every Technology Perspective is a piece of ROR and is a piece of an Enterprise Technology Strategy; I. E. A Technology Perspective is the association among ROR and an Enterprise Technology Strategy. 2. Which of coming up next are instances of the administration and perceivab ility hole between he generally observed IT framework assets and the Services? A. On-going Shift to Move to an Agile Shared Service Co

General Motors Corporation General Motors Corporation

â€Å"General Motors is one of three driving car fabricating organizations in the United States. â€Å"General Motors merupakan salah satu dari tiga perusahaan manufaktur otomotif terkemuka di Amerika Serikat. Situated in Michigan in 1903 by Henry portage and developed to arrive at income of $150 billion and in excess of 370,000 workers by 1996. Berbasis di Michigan pada tahun 1903 oleh Henry portage dan tumbuh untuk mencapai pendapatan sebesar $ 150 miliar dan lebih dari 370. 00 karyawan pada tahun 1996. In the 1970's, the vehicle showcase for the significant automobile producers †General Motors (GM), Ford, and Chrysler-was crunched by rivalry from remote makes, for example, Toyota and Honda. Pada 1970-a, pasar mobil untuk para pembuat mobil utama †General Motors (GM), Ford, dan Chrysler-adalah berderak oleh persaingan dari luar negeri manufaktur seperti Toyota dan Honda.In 1999, Ford procured the Swedish Volvo model trying to contend in the remote market and grow to dif ferent locales. † Pada tahun 1999, model Ford mengakuisisi Volvo Swedia dalam upaya untuk bersaing di pasar asing dan memperluas ke daerah lain. † General Motors needs to utilize the business procedure reengineering for the data frameworks foundation to cut redundancies and requiring data process and the connection among Ford focus in world wide.General Motors perlu menggunakan rekayasa ulang expositions bisnis untuk infrastruktur sistem informasi untuk memotong redundancies dan memproses informasi membutuhkan dan interface di antara pusat Ford di seluruh dunia. â€Å"General Motors executed a 3-year intend to unite their different work area frameworks into one. â€Å"General Motors mengimplementasikan rencana 3 tahun untuk mengkonsolidasikan beberapa sistem work area mereka menjadi satu. This new procedure included supplanting the various brands of work area frameworks, arrange Proses baru ini melibatkan berbagai merek menggantikan sistem

2015 Eisner Nominations Are Out!

2015 Eisner Nominations Are Out! The nominations for the 2015 Eisner Awards are out! The nominees: Best Short Story “Beginning’s End,” by Rina Ayuyang, muthamagazine.com “Corpse on the Imjin!” by Peter Kuper, in Masterful Marks: Cartoonists Who Changed the World (Simon Schuster) “Rule Number One,” by Lee Bermejo, in Batman Black and White #3 (DC) “The Sound of One Hand Clapping,” by Max Landis Jock, in Adventures of Superman #14 (DC) “When the Darkness Presses,” by Emily Carroll,  http://emcarroll.com/comics/darkness/ Best Single Issue (or One-Shot) Astro City #16: “Wish I May” by Kurt Busiek Brent Anderson (Vertigo/DC) Beasts of Burden: Hunters and Gatherers, by Evan Dorkin Jill Thompson (Dark Horse) Madman in Your Face 3D Special, by Mike Allred (Image) Marvel 75th Anniversary Celebration #1 (Marvel) The Multiversity: Pax Americana #1, by Grant Morrison Frank Quitely (DC) Best Continuing Series Astro City, by Kurt Busiek Brent Anderson (Vertigo) Bandette, by Paul Tobin Colleen Coover (Monkeybrain) Hawkeye, by Matt Fraction David Aja (Marvel) Saga, by Brian K. Vaughan Fiona Staples (Image) Southern Bastards, by Jason Aaron Jason Latour (Image) The Walking Dead, by Robert Kirkman, Charlie Adlard, Stefano Gaudiano (Image/Skybound) Best Limited Series Daredevil: Road Warrior, by Mark Waid Peter Krause (Marvel Infinite Comics) Little Nemo: Return to Slumberland, by Eric Shanower Garbriel Rodriguez (IDW) The Multiversity, by Grant Morrison et al. (DC) The Private Eye, by Brian K. Vaughan Marcos Martin (Panel Syndicate) The Sandman: Overture, by Neil Gaiman J. H. Williams III (Vertigo/DC) Best New Series The Fade Out, by Ed Brubaker Sean Phillips (Image) Lumberjanes, by Shannon Watters, Grace Ellis, Noelle Stevenson, Brooke A. Allen (BOOM! Box) Ms. Marvel, by G. Willow Wilson Adrian Alphona (Marvel) Rocket Raccoon, by Skottie Young (Marvel) The Wicked + The Divine, by Kieron Gillen Jamie McKelvie (Image) Best Publication for Early Readers (up to age 7) BirdCatDog, by Lee Nordling Meritxell Bosch (Lerner/Graphic Universe) A Cat Named Tim And Other Stories, by John Martz (Koyama Press) Hello Kitty, Hello 40: A Celebration in 40 Stories, edited by Traci N. Todd Elizabeth Kawasaki (VIZ) Mermin, Book 3: Deep Dives, by Joey Weiser (Oni) The Zoo Box, by Ariel Cohn Aron Nels Steinke (First Second) Best Publication for Kids (ages 8-12) Batman Li’l Gotham, vol. 2, by Derek Fridolfs Dustin Nguyen (DC) El Deafo, by Cece Bell (Amulet/Abrams) I Was the Cat, by Paul Tobin Benjamin Dewey (Oni) Little Nemo: Return to Slumberland, by Eric Shanower Gabriel Rodriguez (IDW) Tiny Titans: Return to the Treehouse, by Art Baltazar Franco (DC) Best Publication for Teens (ages 13-17) Doomboy, by Tony Sandoval (Magnetic Press) The Dumbest Idea Ever, by Jimmy Gownley (Graphix/Scholastic) Lumberjanes, by Shannon Watters, Grace Ellis, Noelle Stevenson, Brooke A. Allen (BOOM! Box) Meteor Men, by Jeff Parker Sandy Jarrell (Oni) The Shadow Hero, by Gene Luen Yang Sonny Liew (First Second) The Wrenchies, by Farel Dalrymple (First Second) Best Humor Publication The Complete Cul de Sac, by Richard Thompson (Andrews McMeel) Dog Butts and Love. And Stuff Like That. And Cats. by Jim Benton (NBM) Groo vs. Conan, by Sergio Aragonés, Mark Evanier, Tom Yeates (Dark Horse) Rocket Raccoon, by Skottie Young (Marvel) Superior Foes of Spider-Man, by Nick Spencer Steve Lieber (Marvel) Best Digital/Web Comic Bandette, by Paul Tobin Colleen Coover Failing Sky by Dax Tran-Caffee The Last Mechanical Monster, by Brian Fies Nimona, by Noelle Stephenson The Private Eye by Brian Vaughan Marcos Martin Best Anthology In the Dark: A Horror Anthology, edited by Rachel Deering (Tiny Behemoth Press/IDW) Little Nemo: Dream Another Dream, edited by Josh O’Neill, Andrew Carl, Chris Stevens (Locust Moon) Massive: Gay Erotic Manga and the Men Who Make It, edited by Ann Ishii, Chip Kidd, Graham Kolbeins (Fantagraphics) Masterful Marks: Cartoonists Who Changed the World, edited by Monte Beauchamp (Simon Schuster) To End All Wars: The Graphic Anthology of The First World War, edited by Jonathan Clode John Stuart Clark (Soaring Penguin) Best Reality-Based Work Can’t We Talk About Something More Pleasant? by Roz Chast (Bloomsbury) Dragon’s Breath and Other True Stories, by MariNaomi (2d Cloud/Uncivilized Books) El Deafo, by Cece Bell (Amulet/Abrams) Hip Hop Family Tree, vol. 2, by Ed Piskor (Fantagraphics) Nathan Hale’s Hazardous Tales: Treaties, Trenches, Mud, and Blood, by Nathan Hale (Abrams) To End All Wars: The Graphic Anthology of The First World War, edited by Jonathan Clode John Stuart Clark (Soaring Penguin) Best Graphic Albumâ€"New The Gigantic Beard That Was Evil, by Stephen Collins (Picador) Here, by Richard McGuire (Pantheon) Kill My Mother, by Jules Feiffer (Liveright) The Motherless Oven, by Rob Davis (SelfMadeHero) Seconds, by Bryan Lee O’Malley (Ballantine Books) This One Summer, by Mariko Tamaki Jillian Tamaki (First Second) Best Graphic Albumâ€"Reprint Dave Dorman’s Wasted Lands Omnibus (Magnetic Press) How to Be Happy, by Eleanor Davis (Fantagraphics) Jim, by Jim Woodring (Fantagraphics) Sock Monkey Treasury, by Tony Millionaire (Fantagraphics) Through the Woods, by Emily Carroll (McElderry Books) Best Archival Collection/Projectâ€"Strips (at least 20 years old) Winsor McCay’s Complete Little Nemo, edited by Alexander Braun (TASCHEN) Edgar Rice Burroughs’s Tarzan: The Sunday Comics, 1933â€"1935, by Hal Foster, edited by Brendan Wright (Dark Horse) Moomin: The Deluxe Anniversary Edition, by Tove Jansson, edited by Tom Devlin (Drawn Quarterly) Pogo, vol. 3: Evidence to the Contrary, by Walt Kelly, edited by Carolyn Kelly Eric Reynolds (Fantagraphics) Walt Disney’s Mickey Mouse, vols. 5-6, by Floyd Gottfredson, edited by David Gerstein Gary Groth (Fantagraphics) Best Archival Collection/Projectâ€"Comic Books (at least 20 Years Old) The Complete ZAP Comix Box Set, edited by Gary Groth, with Mike Catron (Fantagraphics) Steranko Nick Fury Agent of S.H.I.E.L.D. Artist’s Edition, edited by Scott Dunbier (IDW) Walt Disney’s Donald Duck: Trail of the Unicorn, by Carl Barks, edited by Gary Groth (Fantagraphics) Walt Disney’s Uncle Scrooge and Donald Duck: The Son of the Son, by Don Rosa, edited by David Gerstein (Fantagraphics) Walt Kelly’s Pogo: The Complete Dell Comics, vols. 1â€"2, edited by Daniel Herman (Hermes) Witzend, by Wallace Wood et al., edited by Gary Groth, with Mike Catron (Fantagraphics) Best U.S. Edition of International Material Beautiful Darkness, by Fabien Vehlmann Kerascoët (Drawn Quarterly) Blacksad: Amarillo, by Juan Díaz Canales Juanjo Guarnido (Dark Horse) Corto Maltese: Under the Sign of Capricorn, by Hugo Pratt (IDW/Euro Comics) Jaybird, by Lauri Jaakko Ahonen (Dark Horse/SAF) The Leaning Girl, by Benoît Peeters François Schuiten (Alaxis Press) Best U.S. Edition of International Materialâ€"Asia All You Need Is Kill, by Hiroshi Sakurazaka, Ryosuke Takeuchi, Takeshi Obata yoshitoshi ABe (VIZ) In Clothes Called Fat, by Moyoco Anno (Vertical) Master Keaton, vol 1, by Naoki Urasawa, Hokusei Katsushika, Takashi Nagasaki (VIZ) One-Punch Man, by One Yusuke Murata (VIZ) Showa 1939â€"1955 and Showa 1944â€"1953: A History of Japan, by Shigeru Mizuki (Drawn Quarterly) Wolf Children: Ame Yuki, by Mamoru Hosada Yu (Yen Press) Best Writer Jason Aaron, Original Sin, Thor, Men of Wrath (Marvel); Southern Bastards (Image) Kelly Sue DeConnick, Captain Marvel (Marvel); Pretty Deadly (Image) Grant Morrison, The Multiversity (DC); Annihilator (Legendary Comics) Brian K. Vaughan, Saga (Image); Private Eye (Panel Syndicate) G. Willow Wilson, Ms. Marvel (Marvel) Gene Luen Yang, Avatar: The Last Airbender (Dark Horse); The Shadow Hero (First Second) Best Writer/Artist Sergio Aragonés, Sergio Aragonés Funnies (Bongo); Groo vs. Conan (Dark Horse) Charles Burns, Sugar Skull (Pantheon) Stephen Collins, The Giant Beard That Was Evil (Picador) Richard McGuire, Here (Pantheon) Stan Sakai, Usagi Yojimbo: Senso, Usagi Yojimbo Color Special: The Artist (Dark Horse) Raina Telgemeier, Sisters (Graphix/Scholastic) Best Penciller/Inker Adrian Alphona, Ms. Marvel (Marvel) Mike Allred, Silver Surfer (Marvel); Madman in Your Face 3D Special (Image) Frank Quitely, Multiversity (DC) François Schuiten, The Leaning Girl (Alaxis Press) Fiona Staples, Saga (Image) Babs Tarr, Batgirl (DC) Best Painter/Multimedia Artist (interior art) Lauri Jaakko Ahonen, Jaybird (Dark Horse) Colleen Coover, Bandette (Monkeybrain) Mike Del Mundo, Elektra (Marvel) Juanjo Guarnido, Blacksad: Amarillo (Dark Horse) J. H. Williams III, The Sandman: Overture (Vertigo/DC) Best Cover Artist Darwyn Cooke, DC Comics Darwyn Cooke Month Variant Covers (DC) Mike Del Mundo, Elektra, X-Men: Legacy, A+X, Dexter, Dexter Down Under (Marvel) Francesco Francavilla, Afterlife with Archie (Archie); Grindhouse: Doors Open at Midnight (Dark Horse); The Twilight Zone, Django/Zorro (Dynamite); X-Files (IDW) Jamie McKelvie/Matthew Wilson, The Wicked + The Divine (Image); Ms. Marvel (Marvel) Phil Noto, Black Widow (Marvel) Alex Ross, Astro City (Vertigo/DC); Batman 66: The Lost Episode, Batman 66 Meets Green Hornet (DC/Dynamite) Best Coloring Laura Allred, Silver Surfer (Marvel); Madman in Your Face 3D Special (Image) Nelson Daniel, Little Nemo: Return to Slumberland, Judge Dredd, Wild Blue Yonder (IDW) Lovern Kindzierski, The Graveyard Book, vols. 1-2 (Harper) Matthew Petz, The Leg (Top Shelf) Dave Stewart, Hellboy in Hell, BPRD, Abe Sapien, Baltimore, Lobster Johnson, Witchfinder, Shaolin Cowboy, Aliens: Fire and Stone, DHP (Dark Horse) Matthew Wilson, Adventures of Superman (DC); The Wicked + The Divine (Image), Daredevil, Thor (Marvel) Best Lettering Joe Caramagna, Ms. Marvel, Daredevil (Marvel) Todd Klein, Fables, The Sandman: Overture, The Unwritten (Vertigo/DC); Nemo: The Roses of Berlin (Top Shelf) Max, Vapor (Fantagraphics) Jack Morelli, Afterlife with Archie, Archie, Betty and Veronica, etc. (Archie) Stan Sakai, Usagi Yojimbo: Senso, Usagi Yojimbo Color Special: The Artist (Dark Horse) Best Comics-Related Periodical/Journalism Alter Ego, edited by Roy Thomas (TwoMorrows) Comic Book Creator, edited by Jon B. Cooke (TwoMorrows) Comic Book Resources, edited by Jonah Weiland Comics Alliance, edited by Andy Khouri, Caleb Goellner, Andrew Wheeler, Joe Hughes tcj.com,  edited by Dan Nadel Timothy Hodler (Fantagraphics) Best Comics-Related Book Comics Through Time: A History of Icons, Idols, and Ideas (4 vols.), edited by M. Keith Booker (ABC-CLIO) Creeping Death from Neptune: The Life and Comics of Basil Wolverton, by Greg Sadowski (Fantagraphics) Genius Animated: The Cartoon Art of Alex Toth, vol. 3, by Dean Mullaney Bruce Canwell (IDW/LOAC) What Fools These Mortals Be: The Story of Puck, by Michael Alexander Kahn Richard Samuel West (IDW/LOAC) 75 Years of Marvel Comics: From the Golden Age to the Silver Screen, by Roy Thomas Josh Baker (TASCHEN) Best Scholarly/Academic Work American Comics, Literary Theory, and Religion: The Superhero Afterlife, by A. David Lewis (Palgrave Macmillan) Considering Watchmen: Poetics, Property, Politics, by Andrew Hoberek (Rutgers University Press) Funnybooks: The Improbable Glories of the Best American Comic Books, by Michael Barrier (University of California Press) Graphic Details: Jewish Women’s Confessional Comics in Essays and Interviews, edited by Sarah Lightman (McFarland) The Origins of Comics: From William Hogarth to Winsor McCay, by Thierry Smolderen, tr. by Bart Beaty Nick Nguyen (University Press of Mississippi) Wide Awake in Slumberland: Fantasy, Mass Culture, and Modernism in the Art of Winsor McCay, by Katherine Roeder (University Press of Mississippi) Best Publication Design Batman: Kelley Jones Gallery Edition, designed by Josh Beatman/Brainchild Studios (Graphitti/DC) The Complete ZAP Comix Box Set, designed by Tony Ong (Fantagraphics) Little Nemo: Dream Another Dream, designed by Jim Rugg (Locust Moon) Street View, designed by Pascal Rabate (NBM/Comics Lit) Winsor McCay’s Complete Little Nemo, designed by Anna Tina Kessler (TASCHEN) Sign up to The Stack to receive  Book Riot Comic's best posts, picked for you. Thank you for signing up! Keep an eye on your inbox.